Friday, 7 October 2011

LINING A SELF FACED PATCH POCKET...

As we were looking at variations of pocket designs were created a self faced patch pocket which was sewn in a completely different way. I preferred this method because it made more sense and was methodical in the way you sewed it together. The way in which I did this was by:
1. Sew 1.5cm seam allowance from opening either side and press the seam open.
2. Fold curved edge of the lining to meet notches on the shell and sew 1.5cm seam allowance around the curve.
3. Bag it all out and press it neatly.
4. Secure the opening gap with a very close stitch to the edge.
5. Sew from the top on one side to meet the other side with roughly 0.5cm and double the stitching by sewing another curved lined inside by another 0.5cm allowance.
A good way of guiding me was using the pronged feet on the sewing machine so if you struggle use them and it will turned out successfully.

LINED PATCH POCKET SAMPLE...

Another sample I finished today was a lined patch pocket which was created by cutting out patterns and sewing it all together keeping in mind it would have to be accurate and very neat. The stages I recorded for doing this technique were:
1. Sew 1.5cm seam allowance leaving a gap about 3cm wide.
2. Reduce bulk leaving top free then bag out and press.
3. Top stitch close to the edge of the pocket starting in a triangle.
If you ever need any help her are some images that mig
ht help you out if you ever decide to create your own very lined patch pocket.
I found this technique a good way to start on pockets educating me on the different components that make up a pocket. I feel this turned out well as the stitching was neat and close to the edge and the pocket was neatly displayed and secured on the mounted fabric.

BIAS BINDING ON A CURVED SEAM..

To get us started with Friday activities, we produced a bias binding sample on a curved seam ensuring that the fabric was cut on the bias to allow stretch. The 3 simple steps are:
1. Sew right side to wrong side using 1cm seam allowance.
2. Reduce bulk and turn over fabric to just cover the stitching from seam allowance and press.
3. Top stitch the insecure side close to the edge.
I have tried it on a straight line but it has challenged me to sew in a curved line as the fabric twists and moves so it has helped me with positioning on the sewing machine and given me another alternative to facings. It's quick and easy, why not try it if you can't face a facing!



Wednesday, 5 October 2011

MY INTERPRETATION ON A 1890S BOLERO...

From today I chose a garment that best resembled my era and fashion trend I was looking into. So I picked out a bolero styled garment that had ruffles and layered up my sketch using different angles and views to achieve different effects. I liked how the collage contrasts to the dark pencil and how the smudged effect draws attention the main features of the design. I am pleased with this drawing and continued to add to it taking inspiration from some selected outfits from the costume gallery.

SEAM WITH A RIGHT ANGLED CORNER...

Sorry this is a little bit late but last Friday I had a attempt at creating a seam with a right angled corner in which this took me two attempts because the first attempt was inaccurate. I always found these seams difficult and now I know how to do them properly I can start to introduce them into my work. I am glad I got given the task to do this as I struggle to insert seams that are straight and boxed so I am pleased with the result and how easy it really is. What do you think?

PLATTINGFIELDS COSTUME GALLERY...

Today we spent the day looking around Platting fields costume gallery and then venturing onto the outside world looking for potential styles and fashion trends. The start of the day was based on sketching from classic collections and displays that related to the contextual studies of Art & Design. I found the best thing was the paper dress taking such a simplistic shape and concept involving sustainability and interpreting it into a design. I don't like drawing but I am proud of what i have produce even if I had to add my own twist to it with a little collage. Overall, the day was beneficial and I think I have encountered some shapes that I can use and introduce into my fashion trend predictions.










TREND SPOTTING - A NICE WAY TO SPEND YOUR WEDNESDAY...

Today was our day in Manchester and we spent our time in a gallery and pouncing on innocent people that we liked the style of. I asked about 5 different people that linked in with clashing prints which is one of my chosen trends. I got one No but the rest of my chosen few were up for it. I also got a few sneak peaks of window displays as American Apparel had a mannequin modelling an Elizabethan influenced style and Vivienne Westwood had prints as the priority in the window display. I was really lucky to collect a variety of different prints and it just shows that people are starting to where them on the streets. I must say a thank you to all of the people that took part in this little photo shoot for street style, means a lot.

PAISLEY AND FLORALANIMAL
STRIPES
PLEATS

TRIBAL PRINTS

Which print do you like the best ?